And also, it looks pretty good but we've got a few missing, so I'm going to Control + Z out of there. We're missing leg and her tail on panels seven and eight. I'm going to keep these same settings, raise it 35, see how that works throughout the whole scene. So you'll see I started on the second where we first saw that character. And then click on the last frame of that sequence. Then hold down Control and Shift or Command and Shift if you're on a Mac. Make sure that you selected the layer you want to fill. Ink, and ink, yeah, they're all named the same. Now, to do an entire scene, I need to make sure that her line work is named exactly the same in every panel. So there's my line layer and it's called Ink. So let's take a look how far back in the scene does that character show up? Not there, oh, there she is on the second panel. Now, as great and as quick that is, Storyboard Pro also allows us to fill an entire scene of all the characters with just a couple clicks. Notice this little area under her leg, which should be clear was filled because this gap was 35 pixels or smaller, automatically filled it. Copy strokes to destination means it will actually take the lines and copy those onto the matte layer as well to potentially be able to quickly fill other areas. That will allow more more options in editing later, so I prefer that. Create matte on new layer means that it will create the color on a layer underneath my ink line. Let's go ahead and lower that down to 35 just to see how that looks. What that means is how large of a gap it will automatically fill so that we can fill our character. It could be set lower, it could be higher. So let's go to Layer, Generate Auto-Matte. So I've got this character with a very busy background behind her.
It also allows us to create the fill on a new layer, allowing more editing options. Storyboard Pro allows us to autofill a layer with just one click.
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